Irvin Kershner on why non-American films affect him the most

”American film tends to be sentimental and rarely depicts the soul of its citizens. And if the film doesn’t have guns, it isn’t an action film. But for me, the real turnoff is in the final scenes. The experience is often wrapped up in a pretty consumer package guaranteed to show us that life is good and people finally see the light. Foreign films tend not to have this denouement. The chips fall and lay dead and buried if need be. Think of Kurosawa’s Seven Samurai, David Lean’s Lawrence of Arabia, Ingmar Berman’s great films Fanny and Alexander and Cries and Whispers, or Fellini’s 8 1/2. The stories are not skewed for the happy ending. The studio system is geared to make money, not to tell stories. American films generally cost too much to make and cost millions more to advertise so that the product can open as many pockets as possible.” (Irvin Kershner)